Arts

XTC Go2 and Go+ Covers

00a. XTC - Go 2 (1978)_Front.jpg

XTC's Go 2 album and the "extra" EP factored in as well. XTC were a prolific band, always laden with great songs and never at a loss for tracks or brilliance.

After Barry Andrews left the band, they carried on with Dave Gregory.

Wikipedia:

UK LP: V 2108

Side A

No.

Title

Writer(s)

Length

1.

"Meccanik Dancing (Oh We Go!)"  

2:36

2.

"Battery Brides (Andy Paints Brian)"  

4:37

3.

"Buzzcity Talking"  

Colin Moulding

2:41

4.

"Crowded Room"  

Moulding

2:53

5.

"The Rhythm"  

Moulding

3:00

6.

"Red"  

3:02

Side B

No.

Title

Writer(s)

Length

1.

"Beatown"  

4:37

2.

"Life Is Good in the Greenhouse"  

4:41

3.

"Jumping In Gomorrah"  

2:04

4.

"My Weapon"  

Barry Andrews

2:20

5.

"Super-Tuff"  

Andrews

4:27

6.

"I Am the Audience"  

Moulding

3:48

[edit]2001 Remastered CD: CDVX2108

No.

Title

Writer(s)

Length

1.

"Meccanik Dancing (Oh We Go!)"  

2:36

2.

"Battery Brides (Andy Paints Brian)"  

4:37

3.

"Buzzcity Talking"  

Colin Moulding

2:41

4.

"Crowded Room"  

Moulding

2:53

5.

"The Rhythm"  

Moulding

3:00

6.

"Red"  

3:02

7.

"Beatown"  

4:37

8.

"Life Is Good in the Greenhouse"  

4:41

9.

"Jumping In Gomorrah"  

2:04

10.

"My Weapon"  

Barry Andrews

2:20

11.

"Super-Tuff"  

Andrews

4:27

12.

"I Am the Audience"  

Moulding

3:48

13.

"Are You Receiving Me?"  

3:06

[edit]Go+ (Bonus disc included on initial pressing)

  1. "Dance With Me, Germany" [dub version of "Meccanic Dancing (Oh We Go!)"] – 3:17

  2. "Beat the Bible" [dub version of "Jumping in Gomorrah"] – 2:06

  3. "A Dictionary of Modern Marriage" [dub version of "Battery Brides (Andy Paints Brian)"] – 2:27

  4. "Clap Clap Clap" [dub version of "I am the Audience"] (Moulding) – 2:17

  5. "We Kill The Beast" [dub version of "The Rhythm"] (Moulding) – 2:05

And there you have it. White text on a black background, courier type, but very much a send-up of the marketing of music and bands. By the late 1970s, album art was in its heyday. XTC couldn't be bothered, even thought their subsequent records came with fantastic covers.

A War Upon the Arts is Brewing

One of the inherent dangers of normalizing the Trump Regime is that it will be possible to attack the arts when they reflect the evil that has been unleash on America:

An inflatable pig with Donald Trump's face on the side. Screens that show doctored images of the President throwing up. Photos of Trump with Russian President Vladimir Putin, as a big baby, and as Hitler.

They're just a few of the images music fans can catch on Pink Floyd co-founder Roger Waters' 54-date North American tour, "Us + Them," which kicked off on May 26 and coincides with the release of Water's first studio album in 25 years, "Is This the Life We Really Want?"

The political nature of his show, Waters told CNN, is a calculated and defiant response to what he calls the "charade" of the American presidency.

In an interview with Michael Smerconish, the 73-year-old Waters said he has no regrets about turning parts of his 2 1/2-hour performance into what the CNN host described as just "as much an anti-Trump rally as a rock concert."

"It would be a lot easier to be on tour if I wasn't doing any of this, if I didn't have opinions," said Waters, a longtime Trump critic.

The positions that Waters has taken are no different than they were in the early 1980s. He is an artist who has consistently skewered politics and fascism and cults of personality. The danger for Waters is that his stance on Israel can be weaponized against him. The Trump people could easily paint him as an anti-Semite (quite a few people have tried over the years) and the media will probably let them get away with it.

Why would Waters sit down with a turd like Michael Smerconish? I have no idea. But the demonization of anyone who uses art to explain the damage Trump has done to America is well underway.