A War Upon the Arts is Brewing

One of the inherent dangers of normalizing the Trump Regime is that it will be possible to attack the arts when they reflect the evil that has been unleash on America:

An inflatable pig with Donald Trump's face on the side. Screens that show doctored images of the President throwing up. Photos of Trump with Russian President Vladimir Putin, as a big baby, and as Hitler.

They're just a few of the images music fans can catch on Pink Floyd co-founder Roger Waters' 54-date North American tour, "Us + Them," which kicked off on May 26 and coincides with the release of Water's first studio album in 25 years, "Is This the Life We Really Want?"

The political nature of his show, Waters told CNN, is a calculated and defiant response to what he calls the "charade" of the American presidency.

In an interview with Michael Smerconish, the 73-year-old Waters said he has no regrets about turning parts of his 2 1/2-hour performance into what the CNN host described as just "as much an anti-Trump rally as a rock concert."

"It would be a lot easier to be on tour if I wasn't doing any of this, if I didn't have opinions," said Waters, a longtime Trump critic.

The positions that Waters has taken are no different than they were in the early 1980s. He is an artist who has consistently skewered politics and fascism and cults of personality. The danger for Waters is that his stance on Israel can be weaponized against him. The Trump people could easily paint him as an anti-Semite (quite a few people have tried over the years) and the media will probably let them get away with it.

Why would Waters sit down with a turd like Michael Smerconish? I have no idea. But the demonization of anyone who uses art to explain the damage Trump has done to America is well underway.