Historical mistakes are easy to spot, but you're usually being a dick when you point them out. Episode 2 of Moonbeam City's first season opens with a rave, and this was ruined for me when I started to think about the origins of rave parties and things like that.
Moonbeam City was definitely not the home of rave music, and the DJ decks are more 2000s than Eighties. This was something I would have expected in Manchester, England but I'm no fun and I suck. The juvenile delinquency of Moonbeam City is a subplot here but it shouldn't have been the home of a rave. We need to keep the Nineties out of the Eighties if we're going to satirize things, but that didn't stop the episode from being weird, violent, crude and very, very funny. I'm going to turn a negative into a positive and stop complaining at some point, I swear.
As in the pilot episode, the jokes are rapid-fire and moderately crude (if you can handle South Park or Archer, you can handle Moonbeam City). The plot is nonsensical, and so it dredges up the best and the worst of the Eighties all at once.
The strength of the show is when it plays up the delusional self-importance of the characters and that's not a bad place to start as far as creating multiple story lines. That's why it's disappointing when they deviate from what was cheesy about the Eighties.
For example, do you remember the film Buckaroo Banzai? There was so much about that film to like when it was released, but I'll bet you haven't thought about it ages (I know I haven't). What I remember was the superficiality and the insane plot that ended up being secondary to the style and the "inside joke" mentality that ran through the film. Oh, and the fact that Buckaroo Banzai was a rock musician and a neurosurgeon--exactly what the Eighties needed.
I'd like to see more of that and less of the Nineties in Moonbeam City, but I probably won't get my way. In fact, put me down as saying that Clancy Brown should do some voice work on MC--that would bring it all full circle.
Episode 2 went further in explaining Dazzle's self-evident delusions of grandeur and Rad's resentment of everything successful that comes Dazzle's way. He is hell-bent on destroying anything good in Dazzle's life, so he's just like a good Eighties villain. He has little motivation beyond envy and no hope of achieving his goals. I would like to see more of Chrysalis--being the only competent person in a show can get tiresome.
Am I going to give up on this show? Hell, I can't figure out when it's on and finding time to put out a review is hard enough. I like everyone in it and the visual design is extremely well done. I am pulling for more Eighties satire, but, because I'm old and don't spend as much as someone fifteen years younger, I doubt the show will move in that direction. That's okay--I like what I'm seeing and I think it will get better.