The tiny islet of Riddarholmen, home to a 13th-century church full of entombed Swedish royalty, is an oasis of dead calm in cosmopolitan Stockholm, an odd place to witness the relaunch of an international phenomenon. But it happens to host the headquarters of Norstedts, the publisher of Stieg Larsson’s Millennium trilogy (80 million copies strong) and its new sequel, known Stateside as The Girl in the Spider’s Web, written posthumously by a different writer, David Lagercrantz.
“We have had journalists all over the world to come and hear the story about Stieg Larsson and his books,” editor-in-chief Eva Gedin said at the start of Wednesday morning’s press conference. “Tourists have made pilgrimages to some of those places in which his books take place … It has been eleven years since we published the first book in Sweden, and we felt that the time was right for a continuation.”
It’s also been ten years since Larsson died of a heart attack at age 50, soon after signing his book contract, leaving his estate by default to his distant father and brother, and excluding — by law — his partner of 32 years, Eva Gabrielsson, who has fought the family ever since. It seems on the surface an all-too-familiar conflict — a fight for the right to print money off the name of the deceased — but the real quarry is capital of the intellectual kind. It’s a public argument over who has the knowledge, acumen, and integrity to manage a famous author’s estate — not to mention the characters, plotlines, and political messages that run through Larsson’s darkly moralistic books.
In other words, it's just another fraud. I hope someone makes a lot of money off of it, because this is the sort of well that runs dry fast. And I love how every article makes Eva Gabrielsson out to be the bad person in all of this. She's saying "stop robbing from Stieg Larsson's legacy" and, of course, everyone else is saying, "let's wring more blood out of the stone."