Hate

How is This a Good Idea For a Movie?

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I get that if you are a fan of the comic book series Morbius you are going to explode with rage at the banality of my lame take on this, but how is this even remotely a good idea?

Matt Smith is in final talks to join Jared Leto in “Morbius,” a film based on the Spider-Man villain of the same name.

“Safe House” director Daniel Espinosa will helm the movie. Exact details of who Smith would play are unknown at this time, other than it being a major role in the film.

Matt Sazama and Burk Sharpless, who co-created the Netflix series “Lost in Space,” penned the script. Avi Arad and Matt Tolmach are producing “Morbius” with Lucas Foster. Palak Patel will oversee the pic for Sony.

Writer Roy Thomas and artist Gil Kane created Morbius in 1971 for “The Amazing Spider-Man #101.” The character was a scientist who tried to cure himself of a blood disease, with tragic results. He became afflicted with vampiric traits such as fangs and a thirst for blood — and wound up battling Spider-Man.

So, it’s like the movie Venom, which didn’t do that well, and it has Jared Leto, who tried to be the Joker and feel sort of flat with that, and we’re making another superhero film starring men again? A film about an obscure villain character that looks weird?

This is after determining that when women get better roles in these films they tend to be more successful? Like what just happened in Aquaman? And, in the case of Wonder Woman, when the lead of the story is a female, the movie tends to have artistic merit as well?

The female characters were central to the success of Black Panther as well. And I think the chief criticism of Ant Man and The Wasp was that there wasn’t enough Evangeline Lilly, correct?

Okay, whatever.

The Awful Things We Write on Twitter

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Kevin Hart should be given a chance to apologize for what he wrote on Twitter and then delete those offending “jokes.”

What we have going on here is an effort to hold people accountable for things that happened nearly ten years ago on a platform that was never supposed to be an authoritative archive of insensitive stupid shit.

Hart’s comments (some of which are depicted above) come with date stamps that clearly show that he was playing around in the early days of Twitter with offensive material designed to increase the number of people following him and gain some laughs from people who should have clearly known better. Why there wasn’t anyone around helping Hart clean up his act is beyond comprehension.

But, here’s the thing—you shouldn’t use this terrible material against him in the present day, not unless you give him a chance to atone and clean it up. I watched what happened with James Gunn and I realized what the scam was here. This is how conservative trolls take people down and it’s wrong.

Condemnation for Hart is fine. But give him a chance to make it right.

UPDATE:

He had his chance. Fuck him.

And that’s the end of that. ‘Bye, bitch:

Real Nazis Are Mad That Everyone Likes to Kill Nazis

Cool story, bro:

Welcome to 2017, when you can track the steady, civilization-sinking-into-the-mud decline of American politics by the number of people angrily shouting, “Hey, what gives?!” about a video game where you take back America from actual, genocidal Nazis. That’s the reaction that’s met the trailer for Bethesda’s latest shooter, Wolfenstein II: The New Colossus today, with YouTube comments and 4chan posts filling up with people protesting the game for its “anti-white” politics, which involve such offenses as suggesting that the KKK and Nazis might have gotten along—given their shared mutual interests—and having a black character call the hero “white boy.”

Because this is the internet—a melting pot of ideas, irony, and creative expression that now seems increasingly like a mistake—the comments on the trailer have now descended into a mix of “Hey, get a look at these comments,” people calling each other snowflakes, and actual vitriol and right-wing memes. A number of people have logged on to suggest, for instance, that the Nazi-controlled America—full of happy, cheering white people and absolutely no minorities—shown in the trailer seems like a pretty nice place to live, while others are angry that Nazi-slaughtering protagonist B.J. Blazkowicz teams up with communists in his efforts to start a new American revolution. Many are decrying the game’s designers for “politicizing” Nazi murder or trying to push a particular political viewpoint, an argument that falls a little flat when applied to a series that once asked players to bust out of a literal Nazi labor camp in a robotic golem powered by Jewish science magic.

In the age of Trump, creating and marketing a video game that lets you run around in America and kill Nazis is just the marketplace talking to the consumer. In the words of the immortal Jello Biafra, Nazi Punks Fuck Off.